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| Shall I compare thee to a summer's day? | Shall I compare you to a summer's day? |
| Thou art more lovely and more temperate: | You are more lovely and more constant: |
| Rough winds do shake the darling buds of May, | Rough winds shake the beloved buds of May |
| And summer's lease hath all too short a date: | And summer is far too short: |
| Sometime too hot the eye of heaven shines, | At times the sun is too hot, |
| And often is his gold complexion dimm'd; | Or often goes behind the clouds; |
| And every fair from fair sometime declines, | And everything beautiful sometime will lose its beauty, |
| By chance or nature's changing course untrimm'd; | By misfortune or by nature's planned out course. |
| But thy eternal summer shall not fade | But your youth shall not fade, |
| Nor lose possession of that fair thou owest; | Nor will you lose the beauty that you possess; |
| Nor shall Death brag thou wander'st in his shade, | Nor will death claim you for his own, |
| When in eternal lines to time thou growest: | Because in my eternal verse you will live forever. |
| So long as men can breathe or eyes can see, | So long as there are people on this earth, |
| So long lives this and this gives life to thee. | So long will this poem live on, making you immortal. |
"rosy lips and cheeks/Within his bending sickle's compass come."
The poet is using a grafting metaphor in this line. Grafting is a technique used to join parts from two plants with cords so that they grow as one. Thus the beloved becomes immortal, grafted to time with the poet's cords (his "eternal lines"). For commentary on whether this sonnet is really "one long exercise in self-glorification", please see below.Sonnet 18 is the best known and most well-loved of all 154 sonnets. It is also one of the most straightforward in language and intent. The stability of love and its power to immortalize the poetry and the subject of that poetry is the theme.
The poet starts the praise of his dear friend without ostentation, but he slowly builds the image of his friend into that of a perfect being. His friend is first compared to summer in the octave, but, at the start of the third quatrain (9), he is summer, and thus, he has metamorphosed into the standard by which true beauty can and should be judged.
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
Sad lost love quotes
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